Shaadi Karke Phas Gaya Yaar Full Movie Online (2006) Bollywood
Shaadi Karke Phas Gaya Yaar Full Movie Online
Ayaan hints a model into marrying him, while she leaves her diary in his family’s garage, permitting him to comply with her around.
Preliminary release: August 4, 2006 (India)
Director: okay. S. Adhiyaman
Screenplay: Rumi Jaffery
SHAADI KARKE PHAS GAYA YAAR is a khichdi of several a success movies. There is a bit of HUM AAPKE HAIN KOUN, a dash of RAJA HINDUSTANI and strains of the South socials starring Jeetendra, which enjoyed terrific popularity inside the Nineteen Seventies and 1980s. Not anything incorrect in case you are inspired by means of your friends or exciting movies, but the trouble is that a movie like SHAADI KARKE PHAS GAYA YAAR comes too overdue within the day.
The warfare between a bahu and her in-legal guidelines or the bahu’s uppity mom posing troubles is honestly no longer novel. In fact, one presumes that director ok.S. Adhiyaman ought to’ve used all famous own family socials as reference factors earlier than writing the script of this film.
SHAADI KARKE PHAS GAYA YAAR is plagued by way of one extra problem. There are songs and extra songs, whether or not the scenario needs. And the situations are the equal which you encountered within the Nineties: The hero starts dreaming and breaks into a track in London or the heroine gulps a few pegs of alcohol and breaks into an angry music.
Any redeeming elements? Sure, of direction! Some sequences among the couple — Salman and Shilpa — seize your attention. Agreed, we’ve visible similar situations earlier than, however they hold the hobby issue alive.
The primary tiff among Salman and Shilpa — after they go back from their honeymoon and Salman’s family gathers to look the sweets that they’ve picked up while purchasing — appears real.
Any other series that stands out is whilst Salman breaks down upon gaining knowledge of that Shilpa has had a miscarriage and the way Salman’s mom Reema pacifies him and explains the fact [he thinks, she has aborted the child.
The series after the party — while Salman persuades Shilpa to go back domestic — continues you worried.
But Adhiyaman loses song as he nears the of entirety post. The court comes to a decision to offer the warring couple sufficient time to reconcile their differences and Salman starts staying in Shilpa’s house. The entire song of Salman and Mohnish Bahl keeping an eye fixed on Shilpa’s eating conduct et al appears plain ridiculous.
Directorially too, Adhiyaman’s storytelling appears old fashioned and archaic. Or, perhaps, he is obsessed on Sooraj Barjatya films. The songs [Sajid-Wajid, Daboo Malik] are ok, with a couple of common tracks — ‘Taro Ko Mohabbat Ambar Se’ and ‘Kuch Bhi Nahin Tha’. Cinematography is passable.